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“In Mesopotamian art, the rod and ring, like the horned helm or crown, are indicators of the depicted being’s divine status. The most famous depiction being that of Shamash, the solar god of justice holding both divine symbols of power before Hammurabi the king on the Code of Hammurabi stele.

The depiction of a deity presenting these items of power to a human indicates the conferring of some divine measure, be it benediction or authority as a divinely-ordained ruler.

The symbols themselves are dated from the Sumerian Renaissance to the Neo-Assyrian periods. Some researchers have suggested that these tools represent a yardstick and a measuring rope – items that would be used to survey a kingdom. The stela of Ur-Namma however, bears an elaborate relief which depicts the ring as a wound cord; it has also been described as a chaplet of beads.

Within the context of this book and those which will follow, the rod and ring serve as the symbols of the gods and the realms in which they inhabit and rule.

The ring signifies the circumference of Earth and all that is contained upon and within, from the highest mountains, the depths of the oceans, and the chasms of the Underworld.

The rod signifies the divine power of the gods that is made manifest and connects the kingdoms of Heaven, Earth, and the Underworld.

By undergoing initiation, we can move closer to obtaining a measure of the divine providence and authority granted by the gods to perform rituals, know them in full, and experience the power they may bestow upon those who serve them as magicians, exorcists, and members of the priesthood.”

—Samuel David

Rod & Ring: An Initiation Into A Mesopotamian Mystery Tradition - Samuel David

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  • Preface: The Storm and the Stele
    by Shea Bilé (Author of Friedrich Nietzsche and the Left Hand Path)

    Introduction, by Samuel David

    Book I: Threshold
    Book II: Foundation
    Book III: Descent
    Book IV: Ascent

    Appendices

    Afterword, by Samuel David

    A Note from the Author

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