IAO is an iconographic proposal, an attempt to illustrate the Gnostic worldview and its myths as understood by the Ophites, a sect of which little is known. It is, perhaps, an exercise of imagination, of what Christian iconography could have resembled if the Ophites had survived. Visually, it follows the sequences of the Speculum Humanae Salvationis and the Biblia Pauperum, reordering their contents according to this heterodox initiative.
Central to this initiative is the reconstruction of the Ophite diagram described by Origen of Alexandria in Contra Celsum – a complex system in which their whole cosmic vision was integrated.
IAO rejects the commonly held notion of Gnosticism as a mere form of dualism within Christianity, and explores its relationship with other religions – if only by conceptual coincidence, following Edward Conze’s comparison between Buddhism and Gnosis.
Moreover, the Ophites, by declaring Christ to be an incarnation of the Serpent of Genesis, stood outside the moral spectrum of what is now understood as Christianity. Instead, notions of non-duality can be found in the doctrines of Basilides and the idea of the Pleroma, which are explored within, both conceptually and visually.
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